Contribution Of Women To Embroidery Work Cultural Studies Essay

Contribution Of Women To Embroidery Work Cultural Studies Essay The present study is about the contribution of women in handicrafts. The current theme of research regarding handicrafts is to find out the type of embroidery work that women do in their houses and also the problems and benefits they get from their embroidery work. While there is a lot of researches are presented on this topic but there is a lack of attention on those home base women workers and their contribution in handicrafts (embroidery). This study would add a knowledge and information to the existing one. Moreover in Pakistan this work is impossible without womens contribution. So, it would also help us to understand the women problems regarding their works. Handicrafts are items made by hand, often with the use of tools, and are generally artistic and traditional in nature. They include objects of utility and objects of decoration. (Geographical Indications of Goods Act, 1999).Handicrafts are the things that are produce completely by hand or with the help of tool. They also kn own as craft work in which useful and decorative things are used to complete it. Generally the term is used to traditional way of making things. Handicrafts are unique ideas that represent a culture and tradition of a country and it is most important in terms of economic development. Handicrafts are the mirror of culture, tradition and the beauty of this work is depending upon the artistic sense of the workers and also on the quality of material and art. Pakistan has a rich history of handicrafts. The great workers of Pakistan have great skills to show their care in craftsmanship and beauty, dignity, form and style are main components of Pakistani culture. (Shaukat, 2006) Handicrafts are the mixture of significance and artistic feeling of its people who assess the level of culture and expressions of national identity. People serve them with cotton, thread, silk, wool, metals, wood and stone and use their talent to shape these things in beautiful designs so in this way, actually they play very important function for the society. (Quddus, 1992) Handicrafts are also most important symbol in terms of economic development. Economically home based work has helped men and women both for the long time period. Now a days this market get progress and became internationalized but men get more benefits from it then women and move to the many profitable areas and the adaptation of these workers into unorganized sector have made women more insecure and lead them to the exploitation of their skills. (Gyanendra Dastidar, 2000) The fact is that more wealthy countries have less informal economy but developing countries more expansive one. Denmark has 18 percent, Nigeria and Thailand 80 per cent informal economy as compared to their respective formal economies, there is nothing insulting to confess the fact that Pakistan has an informal economy of about 70 per cent. (Bhatti, 2002) The craftsmen and craftswomen of Pakistan both struggle hard to survive; they express their environs and objects in their beautiful production or art for their profit. There are so many crafts that give the Pakistan a place of compliment in the international crafts. (Sarfaraz, 1987) The credit goes to the craftsperson that makes the very important link between the various traditions through his art or work within the country. Each region has rich in its crafts and the crafts persons of that region put their full effort or feelings in their work. Every region has specialized in its handicrafts and there is variety of its traditional handicrafts. Like the important handicrafts of Baluchistan region are Baluchi embroidery, leather work, carpets and rugs, jewellery, pottery and basketry. NWFP has a rich tradition in textiles including embroidery and block-printing, basketry, leather, wood and metal work. Sindh has a wide variety in textiles in which sindi embroidery, silk, ajrak, block-p rinting and tie-and-die is very famous work, bangles, lacquer work, jewellery and pottery. Punjab is a land of five rivers and very famous for its local cotton textiles, embroidery, gotta work, basketry, tile and wood work, the silks, ivory, silver work and naqshi art. (Hussain, 1984) Handicrafts involve the different types of creation including clothing, religious symbols and jewelry, and different types of paper crafts. (Malcolm Tatum, 2003) There are hundreds if not thousands of different varieties of handicrafts. Carpets Textile The carpet-making tradition of Pakistan is old for the thousands of years. 4000-5000 year ago Weaving was a developed as an art in the Mohenjo-Daro in Sind. In the 16th Century, The handmade carpets produced in Lahore. Islamic designs are part of the culture that depicts in Knotted woolen carpets and very famous in both South Asia and the Middle East. Fine carpets are produced in Pakistan especially in Karachi and Lahore. (Shaukat, 2006) In textiles, Sindhis bedspreads and shawls are popular and its mirror work and ajrak are also famous, Doz in Baluchistan, Phulkari work of Hazara and Sawat, kashmirs kashidakari and cotton Lungies and gotta work of Punjab are magnificent work. (Sarfaraz, 1987) Appliquà ©, Crocheting, Embroidery, Knitting, Lace-making, Macramà ©, Quilting, Weaving are also included in textile handicrafts. (Ruskin Morris) Brass, Onyx Wood Crafts The Handicrafts obviously through Brass, onyx and wood are our traditional handicrafts and are able to be proud. Our hard-working craftsmen put their effort to the carving on metal and wood item and make them very beautiful. Craftsman made these items in small villages and it can easily be purchased in big cities. Metal lanterns, mirror frames, decoration pieces and many other things are included in such crafts. (Shaukat, 2006) Pottery The pottery is very common almost in every village. Bahawalpur, Rawalpindi, Gujrat and its surrounded places are famous for colorful pottery. Multans blue glazed pottery is also very familiar since the 13th century. Copper and brass work is mostly done in Lahore. Ceramics and glazed pottery are the oldest art in Pakistan. Blue design techniques are very famous in Pakistan. Pakistani potters are well-known for making the intricate tiles that are used to beautify mosques and public buildings. (Shaukat, 2006) Woodcrafts Wood-carving, Wood-turning, Cabinet making, Furniture making, lacquer ware include in woodcrafts. The furniture of Pakistan is well-known in the whole world for its attractive designs and the artistic sense of the worker. Pakistan has a good wood, Shesham is one of them solid wood and only find in Pakistan. The furniture of this wood is very prominent in the whole world for its finishing. (Shaukat, 2006) Jewelry Leather goods Carved swords, boxes, dishes and tea sets are metal work that is made from silver and gold and precious stones and pearls jewellery are very important crafts. Necklaces, bracelets, rings, hair and forehead decorations and nose ornaments are the main items of jewellery. Leatherwork and basketry are also important crafts. The baskets of Sindh are colorful and complicated, while weavers in the Northwest Frontier prefer geometric patterns. (Shaukat, 2006) Embroidery Embroidery is the art or handicraft of decorating cloth or other materials with needle and thread or wool. Workers also enhance its beauty with uses of other materials such as metal strips, pearls, beads, quills, and sequins. Embroidery is an ancient textile art which uses strands of embroidery floss or wool to create a picture in thread on canvas, linen or other cloth. It forms a part of needlework. Embroidery has recognized as a creative expression of people and it is storage of our oral traditions which have been maintained by the women. (Dhamija, 2004) Embroidered textiles are often used to decorate living spaces, temporary or permanent, impressive or modest depend upon choice and the sense of owner. Historically, embroidered textiles shows the wealthy and influence touch of rulers, courtiers, and courtesans. Among South Asias many people are identified by this textiles frequently, personal status or religious affiliation. (Gluckman, 2007) The folk embroidery tradition deeply exists in the Punjab. Village women still practice the craft, also stitching bed and cushion covers and a variety of other cloths, but the art probably reached its peak in the late 19th and early 20th centuries. (Beste, 2009) In Pakistan embroidery goes back since time immemorial. Bronze needles were excavated out at Mohenjo-Daro. (Sarfaraz, 1987) However, embroidery is a full activity of female and they individually do this work at their homes and it is not as organized work as any other works. (Hussain, 1984) Embroidery is a work that offered women to freely express their feelings by hand and it is also convenient for them to do this in the home. Women embroidered depict all kinds of traditions, nature and their family life also. Women are more dominated in textile work especially in embroidery. (Hashmi, 1987) Embroidery uses various stitches and combinations of stitches. Each embroidery stitch has a special name to help identify it. There are many different styles of embroidery, often with regional variations. Baluchi Embroidery Baluchi mirror work is very famous and also called sheeshagi. In this embroidery small pieces of round mirrors are coated on cloth with button-hole stitch. (Magsi, 1987) Traditionally Baluchi women do it in their homes. Baluchi pushk is very familier and make in traditional seven colours; black, maroon, purple, dark blues, greens, orange and white. (Hussain, 1984) Sindhi Embroidery Sindhi embroidery is covered with flowers and petals with colourful threads by the artistic hands of women. In this embroidery, women used beads, sea shells, precious stones and other pieces of peacock features to enhance its beauty. It is also interesting that women learnt all sindhi embroidery from their mothers and neighbors. The outstanding embroidery of sindh is patch work done on sari, kurta, kanjro, polki , pti, dhanak, pehran and shalwar. (Shah, 1987) Phulkari Phulkari embroidery is an embossed work done on handspun and hand-woven cotton clothes. It is embroidered with untwisted silk thread and mostly geometrical and floral designs are made in it. (Ram, 1987) The centre of this work is Hazara in Pakistan and Punjab is also famous of this work. (Quddus, 1992) Kashmiri Embroidery Kashmiri embroidery is a type of appliquà © work, using waste woolen fabrics and kashida wrought on various kinds of clothing and the cloth used is either silk or wool. (Dhamija, 2004) It is extremely a delicate and refined work and look likes almost drawings and geometrical patterns. The main varieties of Kashmiri embroidery is namda and gabba. (Quddus, 1992) Chikan embroidery Chikan embroidery is a fine needle-craft done by hand mostly using white thread on a variety of fabrics from cotton and silk to synthetics. It is the most famous fine art of embroidery at word level, and is famous not only in India, but also abroad. (Sarna Shukla, 1994)White work White work is embroidered in white thread, on pure white fabric; it is not at all difficult, and not very expensive. The tools for white work embroidery are minimal. The fabric that is used in this work is depending on the person that is according to demand, it may be white muslin, weave or linen. Appliquà © work Appliquà © work is every kind of embroidery which, being worked solidly on one material is then cut out and lay down upon another, and secured by various ornamental stitches. (Dhamija, 2004) In this type of embroidery, different pieces of clothes are cut out in the number of shapes and then pasted them in the basic fabric by using different stitches. (Ram, 1987) Zari embroideries From the second half of 18th century until the early 20th century, two different types of gold embroidery found ready patrons; these were: zardozi work, heavy silver-gilt thread work upon a foundation padded with cotton thread or paper, on velvet or sation ground; and Kalabattu work: light delicate embroidery, in gilt-silver or silver threads, strips of gilt-silver, gilt-silver sequins, upon fine silk cotton or muslin. Punjab is very famous for its zari work. (Dhamija, 2004) Embroidery work is a time-consuming work but in Pakistan traditionally women do it in their homes and pass this art to their daughters too. (Hussain, 1984)

Women in the Epic of Beowulf and in Other Anglo-Saxon Poems Essay

The Women in Beowulf and in Other Anglo-Saxon Poems      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Are women in these poems active equals of the men? Or are they passive victims of the men? The roles of the women in Beowulf and other Anglo-Saxon poems are not always stereotyped ones of passive homemaker and childbearer and peaceweaver, but sometimes ones giving freedom of choice, range of activity, and room for personal growth and development. Beowulf makes reference to Ingeld and his wife and the coming Heathobard feud: in that hot passion his love for peace-weaver, his wife, will cool (2065-66) This is a rare passage, for Anglo-Saxon poetry rarely mentions romantic feelings toward women. In fact, one’s marital status wasn’t even considered significant. For example, with the hero himself the poet never mentions whether he is married or not, likewise with most characters in the poem. Because this is a poem about the heroic deeds of men, Hildeburh excepted, the feeling between man-and-woman is downplayed, and the feeling among warriors is emphasized. Remember that the poem opens with Scyld Scefing, who came motherless to rule the Danes: than those at his start who set him adrift  when only a child, friendless and cold,  lone on the waves. (44-46) Scyld’s motherlessness perhaps tells the reader that the heroic, superhuman, violent deeds about to transpire are perhaps not all that compatible with women and womanly qualities like passivity, gentleness, compassion. It is a predominantly masculine, rough and tough narrative which would only be detracted from by the presence of many women. Chickering says that women in the poem had â€Å"all the dignity and standing they commanded in Tacitus’ day,† when they were greatly respe... ...im (in the case of Hild). And the language in reference to the women seems to be respectful, non demeaning. Some women have stereotyped roles of passive homemaker and childbearer and peaceweaver, but others, particularly royalty, have freedom of choice, range of activity, and room for personal growth and development. BIBLIOGRAPHY Alexander, Michael, translator. The Earliest English Poems. New York: Penguin Books, 1991. Chickering, Howell D.. Beowulf A dual-Language Edition. New York: Anchor Books, 1977. Overing, Gillian R. â€Å"The Women of Beowulf; A context for Interpretation.† In The Beowulf Reader, edited by Peter S. Baker. New York: Garland Publishing, 2000. Chickering, Howell D.. Beowulf A dual-Language Edition. New York: Anchor Books, 1977. Tacitus: The Annals of Imperial Rome, translated by Michael Grant. New York: Penguin, 1996.

Indian Independence Movement and Modern India Essay

I am Chandini C Kurup of class IX B standing here to speak to you on this auspicious occasion of Republic Day As we are celebrating the 64th Republic Day of India, we students have some responsibilities to shoulder, and some duties to plunge ourselves. The contribution of students in the struggle for Indian independence and thereafter in the making of modern India can never be negated. From the prehistoric times to the recent years, students in India have played a significant role in shaping the history, culture and demographics of our beloved motherland. Students are not moved by greed, nor touched by the fanaticism and bigotry between brothers and sisters, in religion or otherwise, nor engulfed by the violence that seems to be a standing libel on the world all around. We students are the most pure, the most energetic. And it is the time for us once more to take the oaths and help the nation march forward. Let us take an oath to explore our country in its history, geography, culture and literature as much as we can. It is a pity that we can name several novelists, artists and musicians of England, France, Germany, Russia and many more foreign countries without much thoughts, but need to reach our notebooks and laptops to name even a few of them from our neighboring states. Let us take an oath to understand the immense power of the Indian culture and tradition that have always been the unity in our rich diversity. India was never a nation before the British rule. Our country was forever decided in numerous political pockets, in fact the very concept of a nation is purely Western, yet the concept of a country united through her culture was always there. Only that culture has been the lifeline of India, despite the number of invasions and aggressions on our motherland. If we forget that culture altogether and rush with closed eyes to imitate the West, the end is near. Let us take an oath to do our duties for the country and the environment. If we do all our rough works in the electronic media, we would save lot of papers and trees to make a difference. We can choose not to accept plastic carry bags and request our friends and relatives to follow us. Once in a week, we can offer free tuition to our needy brothers and sisters. Lots of medicines, old books, and old clothes go waste every year; we can donate them to these organizations as well. Our years old shirts that we hate to put on now will bring smiles to many of our friends in need. Morality is the basis and we must not forget that too. We don’t need to be religious and in fact the maker of modern India, Swami Vivekananda, used to hate the manifold rites and customs that make the gap between religions and the common man. But we need to have faith – faith on God, on the essential goodness of man, on the strength and future of our country, and last but not the least, in ourselves. Our nation is made of none but us, and if we can enlighten ourselves we can enlighten the whole nation. We are the future of India, and the way we make ourselves ready for it will decide the fate of the country in the years to come. All good deeds and attempts are mocked by a class of people we must not be afraid nor ashamed of them. All good deeds are achieved through hardships, and we must toil. But all good deeds bring forth a joy to the core of our heart that none can snatch away, and to our last days of lives, that pleasure is going to be our precious possession for sure. Let us respect our country, our nation, our brave soldiers, our Constitution, our national anthem, and our national flag. As we will follow our ways back to home after this ceremony, we might see paper made tricolor flags torn down from ropes and poles and lying on the street dust like garbage; let us spend a few minutes on our way, today at least, to stop and pick them for a better and respectful disposal. The road ahead is a long one, where we have miles to go. With determination and unity we can move forward. On this special occasion, I urge all of you to show the unity and strength and develop the nation where citizens live with peace and mutual understanding.

The Mafias Money Laundering - 988 Words

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