Free Essays on Bosch

Bosch’s pictures have always fascinated viewers, but in earlier centuries it was widely assumed that his diabolic scenes were intended merely to amuse or titillate, most people regarded him as â€Å"the inventor of monsters and chimeras’. Philip II, though, collected his works more for education than for entertainment. A Dutch art historian in the early 17th century described Bosch’s paintings chiefly as ‘wondrous and strange fantasies†¦ often less pleasant than gruesome to look at’. In the 20th century, however, scholars decided that Bosch’s art has a more profound significance, and there have been many attempts to explain its origins and meaning. Some writers saw him as a sort of 15th century surrealist and linked his name with that of Salvator Dali. For others, Bosch’s art reflects mysterious practices of the Middle Ages. No matter what explanation and comprehension of his art might be, Bosch remains the most extravagant painter of his time. Bosch lived and worked in ‘s-Hertogenbosch, the place from which he takes his name, a fairly quiet Dutch city. Bosch’s ancestors settled in ‘s-Hertogenbosch in the late 14th or early 15th century. Their family name, Van Aken, suggests that they originally came from the German town of Aachen. In 1430-31 appears the first reference to Bosch’s grandfather, Jan van Aken, who died in 1454. Jan had 5 sons, at least four of them were painters; one of these, Anthonius van Aken (died c.1478), was the father of Hieronymus Bosch. He had 2 brothers and a sister; brother Goossen was also a painter. His training as a painter Bosch, most probably, received in the family. Some time between 1479 and 1481 Bosch married Aleyt Goyaerts van den Meervenne, evidently some years his senior. She came from a good family and had considerable wealth of her own. In 1486-87, Bosch’s name appears for the first time in the membership lists of the Brotherhood of Our Lady, wi... Free Essays on Bosch Free Essays on Bosch Bosch’s pictures have always fascinated viewers, but in earlier centuries it was widely assumed that his diabolic scenes were intended merely to amuse or titillate, most people regarded him as â€Å"the inventor of monsters and chimeras’. Philip II, though, collected his works more for education than for entertainment. A Dutch art historian in the early 17th century described Bosch’s paintings chiefly as ‘wondrous and strange fantasies†¦ often less pleasant than gruesome to look at’. In the 20th century, however, scholars decided that Bosch’s art has a more profound significance, and there have been many attempts to explain its origins and meaning. Some writers saw him as a sort of 15th century surrealist and linked his name with that of Salvator Dali. For others, Bosch’s art reflects mysterious practices of the Middle Ages. No matter what explanation and comprehension of his art might be, Bosch remains the most extravagant painter of his time. Bosch lived and worked in ‘s-Hertogenbosch, the place from which he takes his name, a fairly quiet Dutch city. Bosch’s ancestors settled in ‘s-Hertogenbosch in the late 14th or early 15th century. Their family name, Van Aken, suggests that they originally came from the German town of Aachen. In 1430-31 appears the first reference to Bosch’s grandfather, Jan van Aken, who died in 1454. Jan had 5 sons, at least four of them were painters; one of these, Anthonius van Aken (died c.1478), was the father of Hieronymus Bosch. He had 2 brothers and a sister; brother Goossen was also a painter. His training as a painter Bosch, most probably, received in the family. Some time between 1479 and 1481 Bosch married Aleyt Goyaerts van den Meervenne, evidently some years his senior. She came from a good family and had considerable wealth of her own. In 1486-87, Bosch’s name appears for the first time in the membership lists of the Brotherhood of Our Lady, wi...

Human Resource Strategy Essay Example | Topics and Well Written Essays - 5000 words

Human Resource Strategy - Essay Example What is strategic human resource management? Strategic human resource management can be considered to be the capability of an organisation to ensure that it has the right mix of talent and skill in order to meet its business objectives (Armstrong and Baron, 2002, p. 42). Holbeche (2001, p. 13) highlights strategic human resource management as a ‘focus on implementing strategic change and growing the skill base of the organisation to ensure that the organisation can compete effectively in the future.’ SHRM involves the recognition of the internal intelligence available at all levels of the organisation and creating processes to draw upon this knowledge. Communication ‘is at the heart of these processes (Brewster, 2000, p. 153). The author discusses Mintzberg’s observation that strategy involves planning ahead of time and making changes to the plan on the basis of real world situations. The ability of an organisation to alter its course is dependent on the abi lity of the culture to allow for internal flexibility. SHRM then is an attempt to link organisational strategy with human resource management and drawing from this effort, makes an attempt to provide direction to the functional areas on HRM. Salaman, Storey and Billsbury (2005, p. 5) view SHRM as a ‘repository of ways in which academics, consultants†¦ think about ways to change organisations’. SHRM then is the key to how business is run and people managed. Huber and Glick (1995, p. 297) highlight the importance of facilitating organisational learning as a means to understand and adjust to changing business environments. Organisations that are designed to allow two-way information flow to ‘reflect cultural values and economic perspectives of top management’. This is of particular relevance in a multinational corporation. Ready and Conger (2007) reiterate the role of talent development in providing company’s the competitive edge to stay in the mar ketplace. They believe that companies that create ‘talent factories’ have the right mix of ‘functionality and vitality’ to fill key positions as and when the need arises. Storey (2007, p. 79-80) foresees a risk to the study of human resource management claiming to be a strategic function in the absence of a ‘robust analytical framework’. Terms like knowledge management have not been proven on grounds of efficacy in gearing the business up for change. The author suggests that some part of the responsibilities can as well be transferred to departments like marketing for managing the communications and the HR department relegated to the purely administrative practices of yore. The traditional role of HRM as policy maker to guide people management is incomplete without a conscious alignment to business goals. Strategic HRM aims to utilise the capabilities of the workforce towards a unified goal. The match between employee talent, employee goals and business goals is the key to successful work organisation. The necessary ingredients for an effective Strategic HRM process are the learning processes to facilitate future strategy development and adaptation to changes in the business environment. Who takes responsibility for strategic HRM? Ivancevich (2004, p. 48) recognises the role of the leader in laying the foundation for strategic HRM. Functional specialists provide the framework to carry out effective talent management processes; individual team heads determine

The Risk of Petrochemical Companies Research Paper

The Risk of Petrochemical Companies - Research Paper Example Contemporary industrial period greatly relies on the utilization of numerous capably hazardous chemical substances. Wastes of petrochemical companies are harmful. These risks could be divided into three criteria, namely, (1) ergonomic harm, (2) fires/explosion, and (3) environmental contamination. Apparently, the major problem is how to effectively decrease such potential hazards in petrochemical companies. Petrochemical companies belong to a chemical system dependent on the products of gas and oil, and related processing of natural gas and petroleum. Hazardous wastes, on the other hand, are those which create a considerable risk or possible danger to the health of living beings for these are naturally deadly, constant, and non-degradable. Hazardous wastes are basically toxic, reactive, corrosive, and flammable (Jasanoff 1994). Ergonomic harm is one of the risks of petrochemical companies. Ergonomics denotes the interface between human beings and the device and machine in the workpla ce. Workers in petrochemical companies are highly exposed to ergonomic harms, such as musculoskeletal disorders (common for workers of drilling companies), or diseases caused by toxic fumes or substances (Attwood, Deeb, & Danz-Reece 2004). Petrochemical companies are also prone to accidental fires or explosions due to their handling of fuels, such as hydrocarbons. Even though these accidents may be quite unusual, when they do happen the effects can be quite serious, such as financial damage, employee casualty, or public injury (Khan & Abbasi 1998). Lastly, petrochemical companies carry with it several environmental hazards, just like in China and Argentina wherein massive environmental catastrophes have brought about a cycle of damages to the health of the local population. Several of the materials most intensely demanded by people for their use are innately harmful. Petroleum, for instance, is an expedient energy source. This convenience, while making petroleum important, also is t he root of its risk. Numerous of the substances or materials used by the petrochemical industry are innately dangerous. Several of the procedures are dangerous as well. In order for petrochemical plants to operate with minimal risk, they should be properly planned and designed, and appropriate procedure and guidelines should be implemented in their operation and management. The safety of petrochemical plants has drawn a great deal of public attention due to a number of major accidents, several of which are identified as the following (Banerjee 2003, 2): the 1974 Flixborough explosion in which 28 were killed, 89 injured and severe damage caused to buildings, the 1975 Beek propylene release and refinery fire in which 14 were killed, the 1976 Seveso accident in which highly toxic substances were released to the environment causing contamination to wide areas with attendant health implications for the surrounding populace, the gas storage plant catastrophe near Mexico City at San Juan I xhuatepec (1984) in which about 500 people perished and extensive damage was done, the Bhopal toxic gas release (1984) in which about 3400 were killed and many more injured, etc. In every one of these accidents an explosion, a fire, or a

Contribution Of Women To Embroidery Work Cultural Studies Essay

Contribution Of Women To Embroidery Work Cultural Studies Essay The present study is about the contribution of women in handicrafts. The current theme of research regarding handicrafts is to find out the type of embroidery work that women do in their houses and also the problems and benefits they get from their embroidery work. While there is a lot of researches are presented on this topic but there is a lack of attention on those home base women workers and their contribution in handicrafts (embroidery). This study would add a knowledge and information to the existing one. Moreover in Pakistan this work is impossible without womens contribution. So, it would also help us to understand the women problems regarding their works. Handicrafts are items made by hand, often with the use of tools, and are generally artistic and traditional in nature. They include objects of utility and objects of decoration. (Geographical Indications of Goods Act, 1999).Handicrafts are the things that are produce completely by hand or with the help of tool. They also kn own as craft work in which useful and decorative things are used to complete it. Generally the term is used to traditional way of making things. Handicrafts are unique ideas that represent a culture and tradition of a country and it is most important in terms of economic development. Handicrafts are the mirror of culture, tradition and the beauty of this work is depending upon the artistic sense of the workers and also on the quality of material and art. Pakistan has a rich history of handicrafts. The great workers of Pakistan have great skills to show their care in craftsmanship and beauty, dignity, form and style are main components of Pakistani culture. (Shaukat, 2006) Handicrafts are the mixture of significance and artistic feeling of its people who assess the level of culture and expressions of national identity. People serve them with cotton, thread, silk, wool, metals, wood and stone and use their talent to shape these things in beautiful designs so in this way, actually they play very important function for the society. (Quddus, 1992) Handicrafts are also most important symbol in terms of economic development. Economically home based work has helped men and women both for the long time period. Now a days this market get progress and became internationalized but men get more benefits from it then women and move to the many profitable areas and the adaptation of these workers into unorganized sector have made women more insecure and lead them to the exploitation of their skills. (Gyanendra Dastidar, 2000) The fact is that more wealthy countries have less informal economy but developing countries more expansive one. Denmark has 18 percent, Nigeria and Thailand 80 per cent informal economy as compared to their respective formal economies, there is nothing insulting to confess the fact that Pakistan has an informal economy of about 70 per cent. (Bhatti, 2002) The craftsmen and craftswomen of Pakistan both struggle hard to survive; they express their environs and objects in their beautiful production or art for their profit. There are so many crafts that give the Pakistan a place of compliment in the international crafts. (Sarfaraz, 1987) The credit goes to the craftsperson that makes the very important link between the various traditions through his art or work within the country. Each region has rich in its crafts and the crafts persons of that region put their full effort or feelings in their work. Every region has specialized in its handicrafts and there is variety of its traditional handicrafts. Like the important handicrafts of Baluchistan region are Baluchi embroidery, leather work, carpets and rugs, jewellery, pottery and basketry. NWFP has a rich tradition in textiles including embroidery and block-printing, basketry, leather, wood and metal work. Sindh has a wide variety in textiles in which sindi embroidery, silk, ajrak, block-p rinting and tie-and-die is very famous work, bangles, lacquer work, jewellery and pottery. Punjab is a land of five rivers and very famous for its local cotton textiles, embroidery, gotta work, basketry, tile and wood work, the silks, ivory, silver work and naqshi art. (Hussain, 1984) Handicrafts involve the different types of creation including clothing, religious symbols and jewelry, and different types of paper crafts. (Malcolm Tatum, 2003) There are hundreds if not thousands of different varieties of handicrafts. Carpets Textile The carpet-making tradition of Pakistan is old for the thousands of years. 4000-5000 year ago Weaving was a developed as an art in the Mohenjo-Daro in Sind. In the 16th Century, The handmade carpets produced in Lahore. Islamic designs are part of the culture that depicts in Knotted woolen carpets and very famous in both South Asia and the Middle East. Fine carpets are produced in Pakistan especially in Karachi and Lahore. (Shaukat, 2006) In textiles, Sindhis bedspreads and shawls are popular and its mirror work and ajrak are also famous, Doz in Baluchistan, Phulkari work of Hazara and Sawat, kashmirs kashidakari and cotton Lungies and gotta work of Punjab are magnificent work. (Sarfaraz, 1987) Appliquà ©, Crocheting, Embroidery, Knitting, Lace-making, Macramà ©, Quilting, Weaving are also included in textile handicrafts. (Ruskin Morris) Brass, Onyx Wood Crafts The Handicrafts obviously through Brass, onyx and wood are our traditional handicrafts and are able to be proud. Our hard-working craftsmen put their effort to the carving on metal and wood item and make them very beautiful. Craftsman made these items in small villages and it can easily be purchased in big cities. Metal lanterns, mirror frames, decoration pieces and many other things are included in such crafts. (Shaukat, 2006) Pottery The pottery is very common almost in every village. Bahawalpur, Rawalpindi, Gujrat and its surrounded places are famous for colorful pottery. Multans blue glazed pottery is also very familiar since the 13th century. Copper and brass work is mostly done in Lahore. Ceramics and glazed pottery are the oldest art in Pakistan. Blue design techniques are very famous in Pakistan. Pakistani potters are well-known for making the intricate tiles that are used to beautify mosques and public buildings. (Shaukat, 2006) Woodcrafts Wood-carving, Wood-turning, Cabinet making, Furniture making, lacquer ware include in woodcrafts. The furniture of Pakistan is well-known in the whole world for its attractive designs and the artistic sense of the worker. Pakistan has a good wood, Shesham is one of them solid wood and only find in Pakistan. The furniture of this wood is very prominent in the whole world for its finishing. (Shaukat, 2006) Jewelry Leather goods Carved swords, boxes, dishes and tea sets are metal work that is made from silver and gold and precious stones and pearls jewellery are very important crafts. Necklaces, bracelets, rings, hair and forehead decorations and nose ornaments are the main items of jewellery. Leatherwork and basketry are also important crafts. The baskets of Sindh are colorful and complicated, while weavers in the Northwest Frontier prefer geometric patterns. (Shaukat, 2006) Embroidery Embroidery is the art or handicraft of decorating cloth or other materials with needle and thread or wool. Workers also enhance its beauty with uses of other materials such as metal strips, pearls, beads, quills, and sequins. Embroidery is an ancient textile art which uses strands of embroidery floss or wool to create a picture in thread on canvas, linen or other cloth. It forms a part of needlework. Embroidery has recognized as a creative expression of people and it is storage of our oral traditions which have been maintained by the women. (Dhamija, 2004) Embroidered textiles are often used to decorate living spaces, temporary or permanent, impressive or modest depend upon choice and the sense of owner. Historically, embroidered textiles shows the wealthy and influence touch of rulers, courtiers, and courtesans. Among South Asias many people are identified by this textiles frequently, personal status or religious affiliation. (Gluckman, 2007) The folk embroidery tradition deeply exists in the Punjab. Village women still practice the craft, also stitching bed and cushion covers and a variety of other cloths, but the art probably reached its peak in the late 19th and early 20th centuries. (Beste, 2009) In Pakistan embroidery goes back since time immemorial. Bronze needles were excavated out at Mohenjo-Daro. (Sarfaraz, 1987) However, embroidery is a full activity of female and they individually do this work at their homes and it is not as organized work as any other works. (Hussain, 1984) Embroidery is a work that offered women to freely express their feelings by hand and it is also convenient for them to do this in the home. Women embroidered depict all kinds of traditions, nature and their family life also. Women are more dominated in textile work especially in embroidery. (Hashmi, 1987) Embroidery uses various stitches and combinations of stitches. Each embroidery stitch has a special name to help identify it. There are many different styles of embroidery, often with regional variations. Baluchi Embroidery Baluchi mirror work is very famous and also called sheeshagi. In this embroidery small pieces of round mirrors are coated on cloth with button-hole stitch. (Magsi, 1987) Traditionally Baluchi women do it in their homes. Baluchi pushk is very familier and make in traditional seven colours; black, maroon, purple, dark blues, greens, orange and white. (Hussain, 1984) Sindhi Embroidery Sindhi embroidery is covered with flowers and petals with colourful threads by the artistic hands of women. In this embroidery, women used beads, sea shells, precious stones and other pieces of peacock features to enhance its beauty. It is also interesting that women learnt all sindhi embroidery from their mothers and neighbors. The outstanding embroidery of sindh is patch work done on sari, kurta, kanjro, polki , pti, dhanak, pehran and shalwar. (Shah, 1987) Phulkari Phulkari embroidery is an embossed work done on handspun and hand-woven cotton clothes. It is embroidered with untwisted silk thread and mostly geometrical and floral designs are made in it. (Ram, 1987) The centre of this work is Hazara in Pakistan and Punjab is also famous of this work. (Quddus, 1992) Kashmiri Embroidery Kashmiri embroidery is a type of appliquà © work, using waste woolen fabrics and kashida wrought on various kinds of clothing and the cloth used is either silk or wool. (Dhamija, 2004) It is extremely a delicate and refined work and look likes almost drawings and geometrical patterns. The main varieties of Kashmiri embroidery is namda and gabba. (Quddus, 1992) Chikan embroidery Chikan embroidery is a fine needle-craft done by hand mostly using white thread on a variety of fabrics from cotton and silk to synthetics. It is the most famous fine art of embroidery at word level, and is famous not only in India, but also abroad. (Sarna Shukla, 1994)White work White work is embroidered in white thread, on pure white fabric; it is not at all difficult, and not very expensive. The tools for white work embroidery are minimal. The fabric that is used in this work is depending on the person that is according to demand, it may be white muslin, weave or linen. Appliquà © work Appliquà © work is every kind of embroidery which, being worked solidly on one material is then cut out and lay down upon another, and secured by various ornamental stitches. (Dhamija, 2004) In this type of embroidery, different pieces of clothes are cut out in the number of shapes and then pasted them in the basic fabric by using different stitches. (Ram, 1987) Zari embroideries From the second half of 18th century until the early 20th century, two different types of gold embroidery found ready patrons; these were: zardozi work, heavy silver-gilt thread work upon a foundation padded with cotton thread or paper, on velvet or sation ground; and Kalabattu work: light delicate embroidery, in gilt-silver or silver threads, strips of gilt-silver, gilt-silver sequins, upon fine silk cotton or muslin. Punjab is very famous for its zari work. (Dhamija, 2004) Embroidery work is a time-consuming work but in Pakistan traditionally women do it in their homes and pass this art to their daughters too. (Hussain, 1984)

Women in the Epic of Beowulf and in Other Anglo-Saxon Poems Essay

The Women in Beowulf and in Other Anglo-Saxon Poems      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Are women in these poems active equals of the men? Or are they passive victims of the men? The roles of the women in Beowulf and other Anglo-Saxon poems are not always stereotyped ones of passive homemaker and childbearer and peaceweaver, but sometimes ones giving freedom of choice, range of activity, and room for personal growth and development. Beowulf makes reference to Ingeld and his wife and the coming Heathobard feud: in that hot passion his love for peace-weaver, his wife, will cool (2065-66) This is a rare passage, for Anglo-Saxon poetry rarely mentions romantic feelings toward women. In fact, one’s marital status wasn’t even considered significant. For example, with the hero himself the poet never mentions whether he is married or not, likewise with most characters in the poem. Because this is a poem about the heroic deeds of men, Hildeburh excepted, the feeling between man-and-woman is downplayed, and the feeling among warriors is emphasized. Remember that the poem opens with Scyld Scefing, who came motherless to rule the Danes: than those at his start who set him adrift  when only a child, friendless and cold,  lone on the waves. (44-46) Scyld’s motherlessness perhaps tells the reader that the heroic, superhuman, violent deeds about to transpire are perhaps not all that compatible with women and womanly qualities like passivity, gentleness, compassion. It is a predominantly masculine, rough and tough narrative which would only be detracted from by the presence of many women. Chickering says that women in the poem had â€Å"all the dignity and standing they commanded in Tacitus’ day,† when they were greatly respe... ...im (in the case of Hild). And the language in reference to the women seems to be respectful, non demeaning. Some women have stereotyped roles of passive homemaker and childbearer and peaceweaver, but others, particularly royalty, have freedom of choice, range of activity, and room for personal growth and development. BIBLIOGRAPHY Alexander, Michael, translator. The Earliest English Poems. New York: Penguin Books, 1991. Chickering, Howell D.. Beowulf A dual-Language Edition. New York: Anchor Books, 1977. Overing, Gillian R. â€Å"The Women of Beowulf; A context for Interpretation.† In The Beowulf Reader, edited by Peter S. Baker. New York: Garland Publishing, 2000. Chickering, Howell D.. Beowulf A dual-Language Edition. New York: Anchor Books, 1977. Tacitus: The Annals of Imperial Rome, translated by Michael Grant. New York: Penguin, 1996.

Indian Independence Movement and Modern India Essay

I am Chandini C Kurup of class IX B standing here to speak to you on this auspicious occasion of Republic Day As we are celebrating the 64th Republic Day of India, we students have some responsibilities to shoulder, and some duties to plunge ourselves. The contribution of students in the struggle for Indian independence and thereafter in the making of modern India can never be negated. From the prehistoric times to the recent years, students in India have played a significant role in shaping the history, culture and demographics of our beloved motherland. Students are not moved by greed, nor touched by the fanaticism and bigotry between brothers and sisters, in religion or otherwise, nor engulfed by the violence that seems to be a standing libel on the world all around. We students are the most pure, the most energetic. And it is the time for us once more to take the oaths and help the nation march forward. Let us take an oath to explore our country in its history, geography, culture and literature as much as we can. It is a pity that we can name several novelists, artists and musicians of England, France, Germany, Russia and many more foreign countries without much thoughts, but need to reach our notebooks and laptops to name even a few of them from our neighboring states. Let us take an oath to understand the immense power of the Indian culture and tradition that have always been the unity in our rich diversity. India was never a nation before the British rule. Our country was forever decided in numerous political pockets, in fact the very concept of a nation is purely Western, yet the concept of a country united through her culture was always there. Only that culture has been the lifeline of India, despite the number of invasions and aggressions on our motherland. If we forget that culture altogether and rush with closed eyes to imitate the West, the end is near. Let us take an oath to do our duties for the country and the environment. If we do all our rough works in the electronic media, we would save lot of papers and trees to make a difference. We can choose not to accept plastic carry bags and request our friends and relatives to follow us. Once in a week, we can offer free tuition to our needy brothers and sisters. Lots of medicines, old books, and old clothes go waste every year; we can donate them to these organizations as well. Our years old shirts that we hate to put on now will bring smiles to many of our friends in need. Morality is the basis and we must not forget that too. We don’t need to be religious and in fact the maker of modern India, Swami Vivekananda, used to hate the manifold rites and customs that make the gap between religions and the common man. But we need to have faith – faith on God, on the essential goodness of man, on the strength and future of our country, and last but not the least, in ourselves. Our nation is made of none but us, and if we can enlighten ourselves we can enlighten the whole nation. We are the future of India, and the way we make ourselves ready for it will decide the fate of the country in the years to come. All good deeds and attempts are mocked by a class of people we must not be afraid nor ashamed of them. All good deeds are achieved through hardships, and we must toil. But all good deeds bring forth a joy to the core of our heart that none can snatch away, and to our last days of lives, that pleasure is going to be our precious possession for sure. Let us respect our country, our nation, our brave soldiers, our Constitution, our national anthem, and our national flag. As we will follow our ways back to home after this ceremony, we might see paper made tricolor flags torn down from ropes and poles and lying on the street dust like garbage; let us spend a few minutes on our way, today at least, to stop and pick them for a better and respectful disposal. The road ahead is a long one, where we have miles to go. With determination and unity we can move forward. On this special occasion, I urge all of you to show the unity and strength and develop the nation where citizens live with peace and mutual understanding.

The Mafias Money Laundering - 988 Words

Money Laundering The term money laundering is said to create from Mafia possession of Laundromats in the United States. Gangsters there were earning huge sums in cash from extortion, prostitution, gambling and bootleg liquor. They needed to demonstrate a legitimate source for these monies. ‘Money laundering is the process by which criminals try to conceal the true origion and ownership of the proceeds of their criminal activity, allowing them to maintain control over the proceeds and, in the end, providing a legitimate cover for their sources of income’. In the 1980’s, money laundering was considered only as interest basically with drug trackling backgrund. It created trouble in western society, because the profit genration was increasing from criminal activities. Therefore, there was a force from society to take action against drug dealers by introducing legislation that would remove them of their illegal gains. Government soon identified that criminal organizations, which made massive profits from drugs, could corrupt the system of state at all levels. Money laundering is a worldwide trend, supported by international society which is a 24hrs a day business. If one closes, another opens for business. As a 1993 UN Report noted: The essential features of laundering of profits of crime are its global nature, the flexibility and adapbility of its operations. These make the crime in an organized manner. Moreover, a very important point which should not be ignored at any costShow MoreRelatedThe Mafia Essay1298 Words   |  6 Pagessystem does not function very well in Italy. And where there is no law, there is no sin (www.bestofsicily.com).† In the 1930’s, when the Fascists rose to power in Italy, Mussolini had most of Cosa Nostra thrown in jail. 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